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British man prances into Gallup on his dancing-trek across U.S.

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Dancing for slavery awareness, ‘Planet Prancer’ concludes second leg of his journey in Gallup

Travelers along Route 66 over the past several months may have witnessed an unusual sight – a man in a neon tutu dancing along the road with a rolling buggy behind him.

That man is Ben Hammond, 40, a lecturer at the University College London Institute of Education in the United Kingdom.

Hammond is known online as the Planet Prancer, calling himself the world’s only long-distance dancer with one goal – to dance every step around the world, starting with the United States.

His trek across the U.S. began on March 28 at the Santa Monica Pier in California. The plan is to dance across the country, from Santa Monica to Chicago, and then work his way toward New York.

To date, Hammond has danced over 770 miles across two states.

“It’s a famous route,” Hammond said when asked about his Route 66 choice. “Europeans love it.”

Hammond’s undertaken the challenge in order to raise funds for Anti-Slavery International, a non-governmental organization, registered charity and a lobby group, based in the United Kingdom, which works to free people across the globe from all forms of slavery.

“I want to use my freedom to highlight the plight of 40 million people who don’t have the common freedoms,” Hammond said in an Aug. 24 interview. “They’re trapped in forms of modern slavery.”

To that end, Hammond said he chose to get people’s attention and raise funds through dancing, which he sees as a great symbol of freedom.

“I am not a dancer at all,” he said. “The point is [to] celebrate freedom by other people having freedom.”

Though he claims not to be a dancer, Hammond has undertaken similar challenges in the past. In 2011, he danced the world’s longest dance, time-wise, for over 135 hours; and in 2012, he danced the world’s longest dance by distance, going over 1,350 miles across Britain.

On this particular trial, Hammond recounted the challenges he faced dancing from Santa Monica to Ludlow, Calif., and then through the Mojave Desert to Flagstaff, Ariz. He said when he was in Bullhead City, Ariz., he started moving at 3 am and stopped at 10 am, as the temperatures reached upward of 118 degrees.

“The biggest problem [I found] in Arizona: You can’t dance on the interstate,” he said, relaying what highway patrol said to him. “I had to take other [dodgy] roads.”

The roads he ended up taking were unfamiliar to him, and he was often on them in the middle of the night. This was in addition to having to climb to an elevation of 7,500 feet near Flagstaff, lugging the buggy he christened Barbara behind him.

“It’s difficult knowing when something is a road,” Hammond said.

Once he was past Flagstaff, the challenges continued to mount. Hammond recounted an unpleasant bout with gastroenteritis — an intestinal infection that brings diarrhea, cramps, nausea, vomiting and fever — near Winslow, Ariz. Then, once he passed Holbrook, Ariz., and headed toward Sun Valley, the region’s sand dunes slowed his pace to around nine miles per day.

“Then there were the monsoons,” Hammond said. “[But] I got some help from park rangers near Petrified Forest.”

Hammond was referring to Fire Service Road 4, east of Holbrook. In a Facebook post, he recounted coming down with heat exhaustion, having issues with the buggy staying upright, and dealing with the intense elements of nature.

But through it all, Hammond remained focused on his goal and has done what he could to make the experience enjoyable. Part of that included blaring dance music from his buggy’s speaker.

“I have [around] 1,600 songs on my playlist,” Hammond said. “It’s on shuffle.”

The songs were selected by his friends and family, and include plenty of peculiar choices. Hammond chuckled as he recalled times when he was in areas that may not have been entirely safe, as Britney Spears music burst from behind him.

“But lots of people are supportive,” he said, referring to the people he’s met who cheered him on or donated to the cause through his website.

On Aug. 22, Hammond entered New Mexico, and he reached Gallup on Aug. 23.

Hammond wrote on the website about how emotion nearly overcame him after finishing what he felt was the hardest leg of the journey to date.

“The view is beautiful,” he said when asked what was on his mind as he passed through Lupton, Ariz., and into Gallup.

Gallup meant the conclusion of the second leg of Hammond’s journey, and he said he’s slated to return to Los Angeles, Calif., by train on Aug. 27, before flying back home. When his vacation comes around next year, Hammond plans to return to Gallup and start the next leg, which will take him across New Mexico.

In addition to dancing across the country to raise awareness and funds for Anti-Slavery International, Hammond said the journey is also personal.

“[I] came to the U.S. when I was 8,” he said. “My family went to Chicago from L.A. on the train. In that way, I’m retracing my steps.”

To learn more about Ben Hammond’s cause, visit: www.planetprancer.com

By Cody Begaye
Sun Correspondent

‘Greta’ takes stalker creepiness to a new level

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Rating: ««« out of ««««

Running Time: 98 minutes

Over the years, I’ve heard more than a few complaints from friends that moms (and parents in general) can be really suffocating. The new horror/thriller Greta uses these feelings and concerns, and then takes them to extreme ends. While many of the dramatic beats are admittedly familiar, it’s all done with a dose of grim humor and far more technical flair than other movies of its ilk.

Frances McCullen (Chloë Grace Moretz) is a young woman still reeling from the recent death of her mother. Despite attempts made by roommate Erica (Maika Monroe) to get her out and socializing, Frances still feels lonely and isolated. After finding a forgotten purse on the subway, the protagonist takes it upon herself to return the lost item to its rightful owner.

The appreciative Greta Hideg (Isabelle Huppert) introduces herself as a widow, living alone now that her adult daughter has moved to Paris. The pair immediately form a connection, with Frances still feeling a need for motherly support, and Greta presumably missing the bond formed with her own daughter. If this all sounds like a sweet and gentle little drama, that is decidedly not how events eventually play out.

Yes, the story isn’t the most original in the world. As one might guess, someone isn’t being truthful about their history or intentions and may even be harboring psychotic tendencies. While the mother-daughter scenario is a slight variation on the formula, we’ve seen films about disturbed stalkers and/or crazy roommates for decades now.

However, what sets this picture apart are the note-perfect performances, as well as the unsettling mood and tension. This is all thanks to director Neil Jordan (The Company of Wolves, The Crying Game, Interview with the Vampire, In Dreams, Byzantium), who knows his way around suspense and horror pictures. As mentioned, much of the film relies on its two main characters and the performers make the most of the material.

Moretz plays the sweet, earnest, downcast loner hoping to find a surrogate mother quite well, and is likable in the role. However, Huppert really gets to steal the show, revealing more and more layers of... well... insanity as the story progresses. It’s both disturbing and darkly amusing to see this woman transform from a quirky and sympathetic eccentric to an unhinged stalker, and finally a deadly and diabolical force. For Greta, no one will defy her unique and terrifying brand of mothering, and Huppert goes to town with the part.

Jordan also uses the camera to excellent effect, first hanging on long shots of Greta appearing and disappearing in the frame, then suddenly standing in the street and staring at Frances. It all helps to generate tension as more is revealed and events spiral out of control. There is also a memorably striking shot of the physical environment closing in on the protagonist, a literal image of how boxed in one can feel under severe supervision.

The last third of the movie features a continually heightened sense of tension. Only a director this skilled can use both sound and image to make a simple shot of a cup spinning in a microwave so darn unsettling.

As readers might guess, the nature of this type of story means that several genre tropes come into play toward the close. However, the excellent cast and the technical skill on display do make up for its more familiar elements. Greta is a quirky horror flick that won’t appeal to everyone, but will provide plenty of squirmy moments for anyone looking to be given the creeps. If nothing else, it certainly provides ample evidence that at some point, we all must cut the proverbial cord and move forward with our lives on our own terms.

Visit: www.CinemaStance.com

By Glenn Kay
For the Sun

One arrested, another wanted for north side homicide

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A Gallup was reportedly stabbed during a fight.

On Aug. 10, around 2 am, Gallup Police were called to the intersection of North Eleventh Street and West Wilson Avenue when an unresponsive man was found lying on the ground. Police arrived and determined that the man was deceased.

The man was later identified as Davidson Begay, 36, of Gallup. Detectives observed that Davidson appeared to have been involved in a fight, and may have been stabbed.

According to witnesses, Begay was with a group of acquaintances walking and riding bicycles in the area earlier in the evening. The group encountered Benjamin Welch, 35, of Gallup and Isaiah Martinez, 26, of Gallup. Welch and Martinez were apparently upset with Begay due to a dispute. A fight ensued, during which Martinez allegedly stabbed Begay.

Police located Welch later that day in a Gallup motel. After further investigation, a warrant was obtained for him and he was placed under arrest. He was booked into the McKinley County Adult Detention Center on the charges of being an Accessory to Murder, a capital felony and Tampering with Evidence, a third-degree felony.

Police are looking for Martinez. A warrant has been obtained for his arrest on the charges of Murder and Tampering with Evidence.

Martinez is about 5’11", and weighs approximately 110 lbs. He has brown hair and brown eyes. He has a mark or tattoo on his face under his right eye.

If anyone has seen Martinez recently, or knows where he is, call 911. Do not approach him, he is considered armed and dangerous.

You may also call Crime Stoppers at (877) 722-6161. Callers may remain anonymous. A reward may be offered for information leading to Martinez’s arrest.

 

 


‘How To Train Your Dragon: The Hidden World’ makes the cut for genial family entertainment

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Rating: «« out of ««««

Running Time: 104 minutes

Based on a series of children’s books, the original How to Train Your Dragon was surprisingly entertaining and effective, following a young Viking who decided to upset societal norms and befriend a dragon instead of slaying it. The second feature took a darker turn, so much so that sections of it distressed younger audience members.

Following a TV series, the third and reportedly final chapter in the series has now arrived. How to Train Your Dragon: The Hidden World is a more genial effort that will certainly please children.

Truthfully, it lacks the same kind of drama seen in previous installments. However, some parents may still be pleased as this time out the events are unlikely to result in any awkward conversations with their children about mortality.

Since the last installment, Hiccup (Jay Baruchel) and his dragon Toothless have created a home where humans and dragons live in peace. In fact, they regularly lead clan members on missions to rescue dragons from nasty humans.

Unfortunately, there are some negative side effects to their partnership. Overpopulation has resulted in a crowded living space. It also draws the attention of Grimmel the Grisley (F. Murray Abraham), a dragon hunter who wants to wipe out the lifeform, and in particular, Toothless.

Grisley uses a female dragon to try to lure in his prey, while Hiccup deals with the pressures of being a leader, as well as his relationship with Astrid (America Ferrera). The protagonist decides the answer is to try to find the Hidden World, described as a mystical, undiscovered area where dragons are believed to live safe and free.

The high points of this second sequel are the visuals. This is an impressively animated film with spectacular sights. It’s hard not to be impressed at a sweeping skyline filled with flying dragons or with the creatures soaring through clouds, hurricanes and other impressive environments.

This movie is obviously written with children in mind and so the jokes are very straightforward and direct. Still, a few may manage to earn laughs from older audience members. Toothless’ awkward attempts to impress the female dragon with dances and movements are quite funny.

Hiccup’s extremely verbose Viking friend Ruffnut (Kristen Wiig) also earns a chuckle as her constant chatter grates on Grisley. And there are a couple of decent sight gags as well, including sheep decked out in dragon costumes.

It’s all very sweet, although this follow-up does come off as far tamer than others in the series. The villain of the piece is well-voiced, but isn’t given memorable dialogue or much personality more than that of a generic antagonist. While there is a tense moment or two towards the close, there certainly isn’t as much imminent danger present in this adventure.

And curiously enough for a film titled after its Hidden World, viewers won’t see an awful lot of the locale beyond one sequence or get any sort of impression of how it came to be. It also comes across as remarkably easy to find.

At least the finale does have pleasant messages about believing in yourself and allowing those around you to follow their own path, even if it doesn’t present its heroes with many struggles in reaching its big conclusion.

Still, the movie has a few nice moments towards the end that should provide fans with appropriate closure to the series. How to Train Your Dragon: The Hidden World isn’t as unforgettable as earlier chapters, but it does manage to end the trilogy without crashing to the ground.

Visit: www.CinemaStance.com

Real newspapers, real news

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“Real Newspapers, Real News” is the theme of this year’s National Newspaper Week (Oct. 1-7.) Indeed, there’s always been lots of “real”  at newspapers. Real stories, real journalism, real work, real deadlines, real honesty, real facts, real changes and, now, real threats.

This is the 77th annual National Newspaper Week, a time to reflect on the job of newspapers to keep all things “real” such as real conversation, real democracy, real science, real trade, real fact-sharing, real faith and real friends. Of course we hear lots these days about what’s not real— so-called fake news and alternative facts and the non-stop stream of internet-based noise, disruptions and misinformation.

The job of newspapers in America and in thousands of hometowns like ours has never been more challenging — or more challenged.

Once upon a time, newspaper circulation grew faster than the country’s population. In many places, newspaper subscriptions actually outnumbered total households. But since at least the 1980s, newspaper circulation in America has been on a steady and worsening decline.

At the same time, newspapers remain the top choice for people seeking real news and reliable information. More than half of all Americans still subscribe or pay for newspapers or access to their websites. America’s newspaper audience exceeds today’s TV news watchers. Less than5 percent of this audience tune into FOX, CNN or MSNBC, according to a recent National Newspaper Association survey. Just 11 percent of the survey’s respondents said the internet was their primary news source.

Newspapers have survived the advent of radio and broadcast TV. But the threat of 24/7 internet-delivered media, commercials and amusement is disrupting the very reality for which newspapers were first invented. More and more people can’t tell the difference between real news and fake news. We use Facebook for faceless conversations, and we won’t accept that social media is very often anti-social. No amount of tweets will protect the public’s right to know or watchdog our government.

A growing number of people, especially younger ones, think real news should be free and magically appear on their smart phones. Real journalists are losing their jobs because the old business model of newspapers is busted. Advertising revenues are declining faster than circulation at most newspapers, and hundreds of hometown papers have gone out of business in just the past few years.

“Keeping it real” has become a rallying cry in newsrooms and news websites where journalists are trying to reinvent themselves and keep real news alive — and paid for.

What is the future for newspapers? Cars will soon drive themselves and keyboards may disappear from computers and offices. All news — including the real kind — may be delivered to our phones or even via brain implants. Who knows?

The term “newspaper” may soon define something that has nothing to do with ink or paper, just like Xerox used to mean making copies or an iron horse was actually a train. Newspaper may become a misnomer the way “service station,” “ice box” or “tin foil” all refer to vanishing artifacts.

The real matter here is not so much keeping newspapers real; rather it is keeping journalism real. Real news requires fact-checking, research, practice, trust-building and a devotion to truth, honesty and democratic decision making.

Real newspapers were born in times before electricity and telegraphs. Real newspapers have witnessed and experienced changing realities, including the founding of this nation, world wars, space travel and personal computers, and next, robots and artificial intelligence.

Whatever reality that newspapers next face to stay real and keep real news alive will require real readers and real revenues.

— Rollie Atkinson, Publisher

Sonoma West Publishers, Sebastopol, Calif.

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