dazzles with strong visuals, performances
Rating: «««
out of ««««
Running Time: 160 minutes
This feature from Universal Pictures is currently playing at theaters.
So, if you’re an avid fan of the hit Broadway musical Wicked then you probably already know the big reveal about this week’s lavish film adaptation of the material… the on-screen title is Wicked Part 1, which means it only tackles the first half of the show. Reportedly, the movie has also used the original written source material to extend the plot. The lack of openness about what is being presented is something of a surprise, but at least enthusiasts of the musical can take relief in the fact that what is presented is effectively delivered. The feature does suffer a bit from its extended running time, but will still entertain those excited about this production.
Truthfully, the film begins in a clumsy manner as it shows the aftermath of the death of the “Wicked Witch of the West” aka Elphaba Thropp (Cynthia Erivo) from the classic tale The Wizard of Oz. There are moments of Glinda the Good (Ariana Grande) telling citizens of the fantasy world, celebratory songs celebrating the character’s passing, and brief flashes of Elphaba and her life. It’s all a bit jarring and choppy for the first ten minutes. Thankfully, after a brief set-up detailing Elphaba’s early life and the cruel treatment she experiences because of her green skin, things settle down and focus on the central plot.
The action moves to Shiz University, where Elphaba is helping her paraplegic sister Nessa (Marissa Bode) settle in. After the expected mistreatment by new students, Elphaba reacts and displays magical skills. This draws the attention of Madame Morrible (Michelle Yeoh), who enrolls the lead at the school and has her stay with Glinda. These two students immediately butt heads and also find themselves competing for the affection of fellow student and prince, Fiyero Togelaar (Jonathan Bailey).
But there are even bigger issues occurring at the university. The animal population on campus is slowly being barred and removed. As Elphaba’s abilities grow, she is given the opportunity to meet the Wizard of Oz (Jeff Goldblum) in the Emerald City and plead her case for respecting the animal population. Of course, things do not go as expected.
Everything about the movie is impressively mounted, with the various fantasy locations making a positive impression. Some familiar elements from the original picture, like the looming façade of the Wizard in Emerald City, are impressively updated with CGI effects. There are also a couple of notable sets, including a spinning school library that is used in a big musical number. All of the technical specs are top-notch and as you might have already guessed, the movie is full of tunes that will please those who enjoyed the stage version.
The cast are also tremendous in the feature. Erivo is an excellent Elphaba, effectively displaying a mix of anger and rage at the way she is treated, while also shyness as she admittedly hopes to finally fit in among the population. Of course, the performer’s voice shines and the songs are belted out with emotion. The same goes for the cast in general, who all handle the numbers well.
But of course, it isn’t perfect. Problems do arise from the fact that this is only half of the story (this one movie is almost as long as the full musical). While the desire may be to develop characters, it is still a musical delivering grand gestures and broad jokes and so there’s only so much depth that can be added. The film is essentially an extended set-up, focused on introducing the many players and plot threads. Yes, we do see a major change in Elphaba, but most of the big dramatic conflict created is left hanging for next year’s follow-up.
This picture is certainly critic-proof. Those who adored the original musical or this film’s stars will definitely enjoy being transported to Oz. It is also well-intentioned, dealing with issues like racism and prejudice that will speak to many age groups. In the end, Wicked is a solid film with excellent performances and beautiful visuals, but one that also feels overlong and mildly hampered by its unnecessary story additions.
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By Glenn Kay
For the Sun
